{"id":2,"date":"2017-05-04T14:52:11","date_gmt":"2017-05-04T12:52:11","guid":{"rendered":"http:\/\/karinemaussiere.com\/?page_id=2"},"modified":"2026-02-27T12:56:12","modified_gmt":"2026-02-27T11:56:12","slug":"page-d-exemple","status":"publish","type":"page","link":"https:\/\/www.karinemaussiere.com\/","title":{"rendered":"Notes"},"content":{"rendered":"\t\t
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16:05<\/p>

Line<\/p>

Surface engraved with a narrow stroke, path<\/div>
imagined between two points. Of singular thickness<\/div>
a glib remark, a fragment, an unfinished phrase.<\/div>
It is any one edge of a shape and its contours<\/div>
in entirety. Melody arranged, a recitation,<\/div>
the ways horizons are formed. Think of leveling<\/div>
snaring, the body’s disposition both in movement<\/div>
& repose:. It has to do with palms and creases,<\/div>
with rope wound tight on someone’s hand, things<\/div>
resembling drawn marks: a structure or a mountain ridge,<\/div>
an incision, this width of light. A rasor blade<\/div>
at a mirror, tapping out a dose, or the churn<\/div>
of conveyor belts, the scoured, idlings machines.<\/div>
A conduit, a boundary, an exacting<\/div>
course of thought. And here, the tautness<\/div>
of tent stakes, earth shoveled, the depth of a trench.<\/div>
\u00a0<\/div>
Matt Donovan<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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18:52<\/p>

\u00abChemins qui ne m\u00e8nent nulle part \/ entre deux pr\u00e8s, \/ que l’on dirait avec art \/ de leur but d\u00e9tourn\u00e9s \/ chemins qui souvent n’ont \/ devant eux rien d’autre en face \/ que le pur espace \/ et la saison.\u00bb<\/strong><\/p>

Rainer Maria Rilke<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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14:30<\/p>

\u00abPetit \u00e0 petit, pas \u00e0 pas, apr\u00e8s la perception d\u00e9taill\u00e9e, on entre dans une sensation plus abstraite du paysage, dans un \u00e9tat de contemplation cosmique. L’identit\u00e9 personnelle se perd, dispara\u00eet. La marche est un processus d’ouverture.\u00bb<\/p>

Kenneth White<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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12:01<\/p>

\u00ab<\/span><\/em>La limite traverse les rues ; c\u2019est un seuil ; on entre dans un nouveau fief en faisant un pas dans le vide, comme si on avait franchi une marche qu\u2019on ne voyait pas.\u00bb<\/span><\/p>

Eric Hazan<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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14:18<\/p>

\u00ab<\/span><\/em>Tout devenir repose sur le mouvement<\/strong>.\u00bb\u00a0 <\/span>Paul Klee<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

16:05 Line Surface engraved with a narrow stroke, pathimagined between two points. Of singular thicknessa glib remark, a fragment, an unfinished phrase.It is any one edge of a shape and its contoursin entirety. Melody arranged, a recitation,the ways horizons are formed. Think of levelingsnaring, the body’s disposition both in movement& repose:. It has to do […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":48,"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/3760"}],"wp:attachment":[{"href":"https:\/\/www.karinemaussiere.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}